Monday, December 10, 2018

You've Got to be Kitten Me: The Logic of Fonts






As I absentmindedly perused my social media feed (a typical Sund... every day (who am I kidding?) routine), I came across the cutest post entitled "Cats as Fonts." As if this post were after my very heartstrings, I scrolled through the adorable pictures of kittens dressed ridiculously to embody the attitude around common types or fonts. For the average person, fonts are only knowingly interacted with through a Microsoft Office product lens. Academic papers and reports are written in Times New Roman. Sensible emails are sent in Arial or Tahoma. All Microsoft Office applications default to Calibri. And that seems to be okay, as the average person is more focused on their message--what it is they want to convey--than how that message is presented. But unknowingly, we directly encounter fonts everywhere, in ways we'd never imagine.


Since the 1940s, the significance of font has been debated and engendered for the purpose of advertising. An obsession formed around how the look of a thing could influence people, and make them say… want to buy a product. As time marched ahead, in the interest of technology and progress, consumerism became less about selling a single product and more about selling an idea. Brand recognition and product loyalty are what companies are after today, and they are using visual imagery to draw us in. Advertisers are also thinking about what fonts to use.

Gary Hustwit created a two hour documentary about the history, future, and nuances of the font he termed “ubiquitous,” Helvetica. The personification assigned to these fonts is interesting in the sense that--behind certain closed doors--a power to express attitudes through fonts that the unconscionable reader does not recognize is being manipulated. If fonts are the nonverbal communication of written text, just what are they saying?

Ted Hunt, in an article posted on The Daily Egg, talks about the psychology behind choosing typeface in order to solicit a certain emotional or psychological reaction from an audience. He says in his article,

“You should take careful consideration when choosing a logo font. As you may already know, people have certain feelings, emotions, and associations when they see certain colors. What you may not realize is that they have a similar response to typefaces and fonts.”

The article then goes on to explain the perceptions of several of the more successful font styles in advertising (seen below);


Ted Hunt in "A Pro Designer Shares the Psychology of Font Choices"

It is interesting to see how something so easily taken for granted by one group of people is a highly prioritized consideration for another group of people. Remember that the next time you’re writing a persuasive argument for a class or when you’re constructing an email to ask your boss for a raise. It’s not just the content of your message that might help sell your point. Oh yeah, about those cats...
















Tuesday, December 4, 2018

It's So Hard to Say Goodbye




Tonight's class was bittersweet. Although I've been longing for the end since about midterms, seeing everyone's presentations, how comfortable we all were standing in front of each other, how supportive we all were of each other made me realize that we'd grown into a mini family. Facebook updates, chats after class and during breaks, I realized--as I suspected from the first night of class--that we are a special group.

I appreciate now even more the storytelling lens that themed our course. It allowed us to embrace the human connectivity that Hannah Gadsby talked about in her special Nanette or what Andrew Blubaugh tried to rediscover after being attacked as he shared in his independent documentary, Scaredycat. All the digital media materials were one of the highlights of this course to me. I loved the use of different mediums to convey the idea of process, a principle of technical writing. 


The writing assignments were reflective and analytical. They were a nice accompaniment to the thought-provoking and sometimes controversial (Thanks Steven Katz) articles. I loved Geoffrey Sirc's "Box Logic" and how we were able to see from his art of deconstructing and compartmentalizing his thoughts, and in some ways his very life, the way we are asked to take a process apart in order to to make it accessible to TW audiences.

Logic Box


Hannah Gadsby (Nanette)

Most of all, I like how this class made technical writing a creative and inspiring process instead of a daunting and intimidating one. Bonnie Kyburz, with all of her dramatic flair, eccentricity, and French overtures infused all of herself into the course--her past experiences working in digital humanities and in the arts (particularly within the genre of film), her personal life, her inspirations, her connections to and within the capacious (thank you for my newest lexical addition) technical writing field. She laid all her cards on the table and she had a full house.

I want to wish you all great luck on your remaining projects (unless you're finished like me), a happy and recuperative holiday, and a successful spring semester if I don't see you again. In the words of Hannah, you all are "mu peoples."

You've Got to be Kitten Me: The Logic of Fonts

As I absentmindedly perused my social media feed (a typical Sund... every day (who am I kidding?) routine), I came across the ...